Review: Kyo No Oto Nurebairo


Kyo No Oto Nurebairo

The next ink I’m reviewing from the Kyo No Oto line of Kyoto Inks is Nurebairo. At first I was a little confused by it because I really thought it’s blue black. Under fluorescent light, it does look like a very dark blue. Under natural light, it’s clearly a black colored ink with blue undertones. The ink feels quite thick to me, so it flows a bit on the dry side. It also has some copper sheen, although the sheen seems equally distributed along the lines that I draw. Much like what happens when the ink doesn’t have expressive shading. For me, the effect is that the ink looks more glossy than sheeny on paper, much like how india ink would look like when dry. Here’s a short clip on the copper-colored sheen on Tomoe River paper. Keep in mind that the sheen of any ink can be seen if you use the right combination of ink, pen, and paper. More absorbent paper and dry-writing nibs most probably won’t show off the sheen-y properties of ink.

The ink dries relatively slow at 25 seconds or so. It’s also not water resistant. This is a nice, rich black if you want something that’s not watery-looking for your everyday writing. It doesn’t show off much shading, though the little shading it has shows a color of dark bluish grey. I know many people like myself who like black ink to be black like tar or jet black. This would be just the right legit black for your legit black ink needs. Here are a few closeups of the writing sample:

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Yamabukiiro


I’ve never been a big fan of yellow inks, and it wasn’t exactly love at first sight with this one, but it’s strange because the color kinda grew on me. I started using it to write dates, headers or section titles in my journal entries, and they pop right out the page. It’s a nice shade of yellow, very earthy. It brings to mind that point when leaves aren’t quite dead and dry yet, but the green has just drained out of them.

Kyo No Oto Yamabukiiro

It’s not too light that you can’t read it, but I would recommend that you use it with a wet nib. This page was written with a Pilot vanishing point that has a medium nib. I was intrigued about how it would look with a stub, so…

The ink has very expressive shading, and I like that the shading ranges from a golden brown, to yellow orange, to light yellow. Like the color of leaves as they dry. The ink might be too light if you’re using a fine nib, though. It’s best used with wider and wetter nibs so you can appreciate the complexity of the color. I’m surprised that I like this ink as much as I do, honestly.

I would put the flow at a moderate, depending on what pen you use with it. With my stub nib, it flowed a touch on the wet side. With my medium nib, it flowed moderate, a touch on the dry side. It dried at a little over 20 seconds on Tomoe River paper. It’s not water resistant, it washes away quite beautifully, actually. I think it’s a great ink for creative applications. Maybe not something you would use to sign your checks, but something to add a splash of color to your journals. Me likey.

Here are a few close up photos of the writing samples:

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Aonibi


Kyo No Oto Aonibi

Here’s another nice blue ink from the Kyoto ink samples I got from Everything Calligraphy. This one’s from the Kyo No Oto line, and it’s called Aonibi. It’s a dark blue ink, quite in the neighborhood of blue black, though not too highly saturated. It’s a nice ink to use for daily writing, even for work because it’s a sufficiently-saturated, well-behaved kind of blue. Not a crazy shade, just a dark blue ink that doesn’t necessarily stand out except for the subtle shading. The drying time is pretty fast at about 10 seconds, though I did use a European fine nib for the writing sample. I would put the flow at slightly dry to moderate. Here are a few close ups of it.

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo-Iro Cherry Blossoms of Keage


Kyo-Iro Cherry Blossoms of Keage

Gosh, look at that. That is a purrty shade of pink. Cherry blossoms come in a range of colors, from pure white with the faintest hint of pink to dark pink, yellow, purple, and even green. This color of Kyo-Iro ink reminds me of pink cherry blossoms because the shading is expressive and shows a range of pinks, like the blossoms. The ink is sufficiently saturated enough to make it easy to read, but I find the color so delicate and refined.

The flow is moderate; not too dry, not too wet. It’s well-behaved and pleasant to write with. It dries in about 15 seconds (using a European medium nib on Tomoe River paper), and it’s not water resistant. I like that the vibrancy of the ink doesn’t fade after several days. The color didn’t go flat or dull.

Pink ink lovers will definitely love this shade. Here are a few close-ups of my writing sample:

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Overall, you may not be able to use it for work or exams, or anything like that, but it’s a cute ink for journal-writing and other creative purposes.

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo-Iro Moonlight of Higashiyama


Kyo-Iro Inks

The nice people from Everything Calligraphy sent over a few samples of their new line of inks from Kyoto, Japan. There are Kyo-Iro and Kyo No Oto Inks. I’m eager to review them because all the Japanese inks I’ve tried so far have been excellent. I’m curious to see how these inks perform. Kyo-Iro inks are named after famous places in Kyoto Japan. It may be a bit hard to distinguish the colors on the bottle because for Kyo-Iro inks, the names are printed in Japanese characters. I’ll dive right in and review one of the colors that really got my attention. This one’s called Moonlight of Higashiyama.

Kyo-Iro Inks

I like that the packaging of Kyo-Iro inks are so reminiscent of what makes Japanese aesthetics so pleasing. It’s minimalist, simple, elegant, and functional. I love the print on the box and the labels on the bottle. Each bottle holds 40ml of ink, and the opening is convenient to use, no matter what the pen size is.

Kyo-Iro Inks - Moonlight of Higashiyama

Moonlight of Higashiyama is an earthy brown color that leans more towards orange or terracotta. When wet, the yellow component of the ink is more obvious, but it gets a lot darker as it dries. The color reminds me of autumn leaves, or caramel. It’s warm and pleasant, and really gorgeous especially on cream-colored paper. I like that it has subtle shading that shows different hues from light terracotta orange to dark brown, the color of burnt brown sugar. It’s saturated enough for daily writing, it’s very comfortable to read. The flow of this ink is also quite good. It’s a touch above moderate flow, and my pen just glides on paper when using it. The drying time is relatively fast at about 15 seconds using a medium nib on Tomoe River paper. It’s not water resistant. So don’t leave your journal out in the rain ;-). Here are a few close ups of the writing sample.

Kyo-Iro Inks - Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

Overall, it’s an eye-catching color. I enjoy using it in journal entries. Kyo-Iro inks and I are off to a great start, it seems. 🙂

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Birmingham Inks Edgar T. Steel Works (Coking Coal Black)


I’ve been using this ink for a week and it’s about time to write a short review. What surprised me most when I was only beginning to explore different kinds of inks for fountain pens is that not all black inks are alike. I’ve come across several interesting black inks like Diamine Onyx, which has some subtle hints of purple. My least favorite is Parker Quink which seems so diluted and has terrible flow with most of my pens. It seems weird to review black ink, but if you look closely enough, different kinds of black ink do look…different.

Birmingham Inks Edgar T Steel Works (Coking Coal Black)

So, Birmingham Inks’ Coking Coal Black. While wet, I had the impression that it was a bit on the warm side. A little purplish brown. As it dries, the color develops to a more slate grey hue. It reminds me of the color of the core of a pencil. Under certain lights, it reminds me of the color of nori wrap. I wouldn’t say that it’s highly saturated, it doesn’t look jet black and it doesn’t look “thick” on paper, like J. Herbin’s Perle Noir. It doesn’t look watered-down either. For a dark-colored ink, it certainly shows some nice shading which highlights different gradations of gray. There’s a slight hint of purple, too.

The flow is really nice, it flows moderately wet in a medium nib. The pen glides on paper while using the ink, I like the flow a lot. It dries relatively fast, too. About 10-15 seconds. It’s definitely not too water resistant, only leaving behind a faint purplish line after 30 seconds of soaking in drops of water. Overall, it’s a pretty nice coal-black ink. Here are some closeups of the writing sample:

Birmingham Inks Edgar T Steel Works (Coking Coal Black)

Birmingham Inks Edgar T Steel Works (Coking Coal Black)

Birmingham Inks Edgar T Steel Works (Coking Coal Black)

Birmingham Inks Edgar T Steel Works (Coking Coal Black)

Birmingham Inks Edgar T Steel Works (Coking Coal Black)

Birmingham Inks Edgar T Steel Works (Coking Coal Black)

Birmingham inks are available at Everything Calligraphy.

Review: Birmingham Inks – Andy Warhol – Pop Art Purple


Here’s another Birmingham ink that I tried this week. It’s called Andy Warhol (Pop Art Purple). I was expecting a bold, loud, violently violet color but it turned out to be quite a demure and dusky purple color.

Birmingham Inks - Andy Warhol - Pop Art Purple

At first it looks very similar to Diamine Bilberry when wet, but it gets darker as it dries. After it’s completely dry, it looks more like blue violet. It’s very subdued and nicely saturated. While it’s not exactly a screaming purple ink, it’s something you can use for daily writing, without calling too much attention to it. I would put the flow at dry to moderate, depending on the nib you’re using. It dries up pretty fast, considering that I used a stub nib for this writing sample (obviously, I need to clean my other pens soon, haha). It’s not waterproof but does leave a faint purple line behind. Overall, it does look a bit flat, but it’s something you can use for work or class notes if you want a purple ink that, at first glance, can pass as dark blue. Here are a few close ups of the writing sample.

Birmingham Inks - Andy Warhol - Pop Art Purple

Birmingham Inks - Andy Warhol - Pop Art Purple

Birmingham Inks - Andy Warhol - Pop Art Purple

Birmingham Inks - Andy Warhol - Pop Art Purple

Birmingham Inks - Andy Warhol - Pop Art Purple

Birmingham Inks - Andy Warhol - Pop Art Purple

Birmingham Inks are available at Everything Calligraphy.