Review: Robert Oster Plumb Nut


Robert Oster Plumb Nut

A few days ago, I tried out my sample of Robert Oster Plumb Nut. Aside from the little dab of ink on the cap, I didn’t really know what to expect because I’m not sure what a plumb nut is. I used my Sailor Sapporo Progear Slim with a medium nib and (after getting acquainted with the color a bit more) a Lamy Studiio with a 1.5 mm nib. Right off the bat, I like that it’s a pleasant old rose color. It’s a mellow kind of pink, a bit dusky, with a slight hint of purple. It has beautiful deep pink shading, and no sheen. When I first tried it with my Sailor pen, it felt thin, almost watery. It doesn’t bleed or go all over the place, but it felt watery on paper as I wrote, so my nib felt like it’s gliding on the surface of the paper. I reversed my nib to see how it would look like in an xf nib (or maybe closer to a needlepoint) and it flowed quite wet too. I also used it with a 1.5 mm Lamy nib to see how it will hold up with a wider nib.

Robert Oster Plumb Nut

The nib never ran dry, and it showed off the gorgeous characteristics of the ink. Even if the ink’s consistency felt watery, the saturation is not too light. It darkened a bit after drying, but remained a pleasant pop or color on paper. It also dried up pretty quickly at about 10 seconds or so using the medium nib on Tomoe River paper. It’s also not water resistant.

Here are a few close ups of the writing sample:

Robert Oster Plumb Nut

Robert Oster Plumb Nut

Robert Oster Plumb Nut

Robert Oster Plumb Nut

Robert Oster Plumb Nut

Robert Oster Plumb Nut

Robert Oster Plumb Nut

Plumb Nut and other Robert Oster Signature Inks are available at Everything Calligraphy.

Review: Robert Oster Marrone Mustard


Robert Oster Marrone Mustard

I was thinking about which Robert Oster ink to review next and I decided to do Marrone Mustard. I was really expecting something more on the yellow side, as in the commercial mustard that we commonly find in the condiments section of the grocery store. When I put my pen on paper, though, I was pleasantly surprised to see that it’s predominantly brown. A quick Google search on the word Marrone informed me that it’s Italian for brown. The Marrone Mustard ink is a brown mustard color, which is a nice golden brown. It’s pretty striking, especially because it has such expressive shading.

Robert Oster Marrone Mustard

It looks gorgeous on paper, especially in person. The shades of the ink ranges from a soft mustard yellow to a warm brown. I suggest you use a wet medium nib so you can appreciate the shading and the complexity of the color even more. It reminds me of the color of leaves turning. The ink grows a little bit darker a few hours after it dries up on paper. I’ve tried it on my journal which has ivory colored Tomoe River paper and my oh my, it’s gorgeous.

The flow is almost moderate but a tiny bit on the dry side. It’s also not very water resistant, making it a nice ink to use for pen and wash drawings. The water brings out more of the reddish component of the brown tones, though. The wash looks more orange-y than brown or yellow.

Here are a few close ups of the writing samples:

Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

Overall, I find this ink very, very beautiful. I must add it to my personal collection. It’s the kind of ink I want to write many letters and journal entries with.

Robert Oster inks are exclusively distributed in the Philippines by Everything Calligraphy.

Review: Robert Oster Blue Denim


Robert Oster Blue Denim

The wonderful people at Everything Calligraphy sent over a few samples of Robert Oster Signature inks, and I’m eager to try them all out! It’s very noticeable that Robert Oster make beautiful blue inks, so vibrant that the color jumps out at you from the paper. I was expecting a “Blue Denim” ink to be more on the blue black side, but this is a brilliant blue, much like turquoise. It’s a beach-y color that looks so happy, you can’t help but smile when you look at it. It’s also nicely saturated, so it’s not difficult to read. It looks like a great standard ink for daily use. In person, it has pronounced shading.Here’s what it looks like in my Elias pen and ink journal:

Robert Oster Blue Denim

There’s a slight red sheen on it, not too pronounced, but if you use a wet nib you can see the halo around some parts of the letters. I love ink with subtle sheen like this. It makes your strokes on paper look more like painted-on letters. The contrast between light  blue, dark blue, and red sheen on this ink is just beautiful.

I would put the flow at a medium to wet. It’s not extremely wet, but it does take a little over 20 seconds to dry on Tomoe River paper, using a medium nib. There’s very little water resistance here, a few seconds after letting the water droplets sit on paper, it all but washed away most of the ink. Leaving a very pale blue outline. It makes for nice pen and wash drawings, though.

Here are a few close ups of the writing samples:

Robert Oster Blue Denim

Robert Oster Blue Denim

Robert Oster Blue Denim

Robert Oster Blue Denim

Robert Oster Blue Denim

Robert Oster Blue Denim

I love that even after sitting a few days, the ink doesn’t look dull after it dries. It remains vibrant on paper, close to how vibrant it was after writing. I used to dislike blue inks, but after trying a few that are interesting to look at, I’ve become a fan of the color. Robert Oster’s blue inks is a great place to start if you’re looking for interesting, great-flowing blues.

Robert Oster inks are available at Everything Calligraphy.

Kyo Iro and Kyo No Oto Roundup


Kyo Iro and Kyo No Oto Inks

The past few weeks, I’ve had the pleasure of trying out all the different colors of Kyo Iro and Kyo No Oto. It was really a lot of fun, and while I enjoyed trying all of them out, a few of them really stood out for me as my favorites.

Kyo Iro Soft Snow of Ohara

Kyo-Iro Inks - Soft Snow of Ohara

I really love this blue. I don’t think I have a similar shade of it in my ink collection. It’s a mellow kind of blue that has purple tones. It really pops out of the page for me, I love seeing an entire page written with this ink. Simply lovely.

Kyo Iro Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

This one’s really easy to like. It’s a beautiful shade of terracotta, and it stays so vibrant on the page. The shading is so expressive too.

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

No surprises here, I guess? It’s a light olive green ink that has beautiful shading. It flows a bit on the dry side, but works beautifully with the right pen.

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

I am quite surprised that I ended up liking this ink so much. I’m not big on yellow inks at all. In fact, I don’t think I have any yellow inks. This one’s a beautiful, earthy yellow though. You need to see this in person, on paper, to fully appreciate how beautiful it is.

Overall, both lines have really interesting colors. The collection is quite varied and the inks have their own personalities, so to speak. I had such a great time reviewing them, thanks to the wonderful people at Everything Calligraphy for the samples.

Ink Swabs Kyoto Inks

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Nurebairo


Kyo No Oto Nurebairo

The next ink I’m reviewing from the Kyo No Oto line of Kyoto Inks is Nurebairo. At first I was a little confused by it because I really thought it’s blue black. Under fluorescent light, it does look like a very dark blue. Under natural light, it’s clearly a black colored ink with blue undertones. The ink feels quite thick to me, so it flows a bit on the dry side. It also has some copper sheen, although the sheen seems equally distributed along the lines that I draw. Much like what happens when the ink doesn’t have expressive shading. For me, the effect is that the ink looks more glossy than sheeny on paper, much like how india ink would look like when dry. Here’s a short clip on the copper-colored sheen on Tomoe River paper. Keep in mind that the sheen of any ink can be seen if you use the right combination of ink, pen, and paper. More absorbent paper and dry-writing nibs most probably won’t show off the sheen-y properties of ink.

The ink dries relatively slow at 25 seconds or so. It’s also not water resistant. This is a nice, rich black if you want something that’s not watery-looking for your everyday writing. It doesn’t show off much shading, though the little shading it has shows a color of dark bluish grey. I know many people like myself who like black ink to be black like tar or jet black. This would be just the right legit black for your legit black ink needs. Here are a few closeups of the writing sample:

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Yamabukiiro


I’ve never been a big fan of yellow inks, and it wasn’t exactly love at first sight with this one, but it’s strange because the color kinda grew on me. I started using it to write dates, headers or section titles in my journal entries, and they pop right out the page. It’s a nice shade of yellow, very earthy. It brings to mind that point when leaves aren’t quite dead and dry yet, but the green has just drained out of them.

Kyo No Oto Yamabukiiro

It’s not too light that you can’t read it, but I would recommend that you use it with a wet nib. This page was written with a Pilot vanishing point that has a medium nib. I was intrigued about how it would look with a stub, so…

The ink has very expressive shading, and I like that the shading ranges from a golden brown, to yellow orange, to light yellow. Like the color of leaves as they dry. The ink might be too light if you’re using a fine nib, though. It’s best used with wider and wetter nibs so you can appreciate the complexity of the color. I’m surprised that I like this ink as much as I do, honestly.

I would put the flow at a moderate, depending on what pen you use with it. With my stub nib, it flowed a touch on the wet side. With my medium nib, it flowed moderate, a touch on the dry side. It dried at a little over 20 seconds on Tomoe River paper. It’s not water resistant, it washes away quite beautifully, actually. I think it’s a great ink for creative applications. Maybe not something you would use to sign your checks, but something to add a splash of color to your journals. Me likey.

Here are a few close up photos of the writing samples:

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Kokeiro


I was trying my best to save this review for last, like the fountain pen ink version of the marshmallow test, but my EQ is low haha. I’ve always had a soft spot for olive green inks, especially those that have a lot of the yellow component in them. This is why the Kokeiro ink from the Kyo No Oto line is so attractive to me.

Kyo No Oto Kokeiro

The color reminds me of a cross between Alt Goldgrun and Diamine Wagner. It’s the color of shelled pistachio nuts. It’s light yellow-green in some places, darker green in some, with a little bit of that gorgeous golden tinge that gives it a nice glowing quality. The color is really eye-catching, especially on ivory-colored paper. The flow is quite wet. I used it in my Sheaffer Lifetime with a fine nib, and it flowed really well. It dries moderately fast at about 20 seconds on tomoe river paper. It’s saturated enough to make it easy to read, it’s a good enough ink to use for daily writing. It’s well-behaved and has very expressive shading. The shading is quite obvious even with a fine nib. It’s not water resistant, though it does leave behind faint light green lines. If you like olive green inks, this is such a nice color to have. Here are a few close ups of the writing sample.

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Aonibi


Kyo No Oto Aonibi

Here’s another nice blue ink from the Kyoto ink samples I got from Everything Calligraphy. This one’s from the Kyo No Oto line, and it’s called Aonibi. It’s a dark blue ink, quite in the neighborhood of blue black, though not too highly saturated. It’s a nice ink to use for daily writing, even for work because it’s a sufficiently-saturated, well-behaved kind of blue. Not a crazy shade, just a dark blue ink that doesn’t necessarily stand out except for the subtle shading. The drying time is pretty fast at about 10 seconds, though I did use a European fine nib for the writing sample. I would put the flow at slightly dry to moderate. Here are a few close ups of it.

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo-Iro Flaming Red of Fushimi


Kyo-Iro Flaming Red of Fushimi

Here’s the last of the Kyo-Iro line of Kyoto Inks that I’ve tried. The next inks linked up for review are all Kyo No Oto inks. This one’s called Flaming Red of Fushimi. At first I was surprised because it was neither flaming nor red when wet. The ink’s color got darker as it dried, and under natural light, the red component is much more obvious. It does start out as a cross between pink and peach, like the color of pink guava flesh or four seasons juice. Pink that leans more on the red side. When in a low-light surrounding, the ink looks less-saturated and more pink, but in natural light, it does become a more pronounced shade of red. The color is pretty interesting in both cases. I don’t think I have tried an ink that is similar in hue. It’s eye-catching, to say the least. It’s a moderately saturated ink, so I would recommend that you use it with a medium nib at least, or something that writes wet, so that you can appreciate the character of the ink. The shading is expressive and gorgeous, with shades of peach and dark pink. It flows a bit drier than moderate, though not unpleasantly so. I just feel it’s not as wet as the other Kyo-Iro inks I tried. The drying time is more or less the same, about 15 seconds. It’s not water resistant. Here are a few close up shots of the writing sample.

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo-Iro Cherry Blossoms of Keage


Kyo-Iro Cherry Blossoms of Keage

Gosh, look at that. That is a purrty shade of pink. Cherry blossoms come in a range of colors, from pure white with the faintest hint of pink to dark pink, yellow, purple, and even green. This color of Kyo-Iro ink reminds me of pink cherry blossoms because the shading is expressive and shows a range of pinks, like the blossoms. The ink is sufficiently saturated enough to make it easy to read, but I find the color so delicate and refined.

The flow is moderate; not too dry, not too wet. It’s well-behaved and pleasant to write with. It dries in about 15 seconds (using a European medium nib on Tomoe River paper), and it’s not water resistant. I like that the vibrancy of the ink doesn’t fade after several days. The color didn’t go flat or dull.

Pink ink lovers will definitely love this shade. Here are a few close-ups of my writing sample:

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Overall, you may not be able to use it for work or exams, or anything like that, but it’s a cute ink for journal-writing and other creative purposes.

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo-Iro Stone Road of Gion


Here’s another Kyoto Ink from the Kyo-Iro line. It’s called Stone Road of Gion. It’s a delicate shade of brown. It’s earthy and soft, almost a bit silvery, at least on tomoe river paper. It has this old-timey feel to it and it’s really gorgeous when used on ivory-colored paper.

Kyo-Iro Ink Stone Road of Gion

It reminds me of the color of Raw Umber, which is one of my favorite watercolor pigments. I guess because I see the color a lot in nature, I use it for woody parts of plants, mushrooms, soil, etc. Stone Road of Gion has a very organic look to it. I really like it a lot. In terms of performance, the ink flows very wet, but it doesn’t feather or bleed. If anything, it almost feels a bit watery.

The delicate color may strike some people as a bit translucent, but it’s very easy to read in person. Because the color is a bit light, I would suggest using it with a wet-writing nib. I used a Cross Century II with a custom medium cursive italic nib for this review. I like the gorgeous shading on the ink, I think it would make a nice addition to my brown ink collection.

It dries pretty fast, at around 15 seconds. It’s not water resistant, a few seconds of soaking with droplets of water almost completely erased the ink.

Overall, I think it’s a gorgeous shade, especially when used with a wet writing nib or nib sizes from medium upwards. Here are a few close ups of the writing sample:

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo-Iro Moonlight of Higashiyama


Kyo-Iro Inks

The nice people from Everything Calligraphy sent over a few samples of their new line of inks from Kyoto, Japan. There are Kyo-Iro and Kyo No Oto Inks. I’m eager to review them because all the Japanese inks I’ve tried so far have been excellent. I’m curious to see how these inks perform. Kyo-Iro inks are named after famous places in Kyoto Japan. It may be a bit hard to distinguish the colors on the bottle because for Kyo-Iro inks, the names are printed in Japanese characters. I’ll dive right in and review one of the colors that really got my attention. This one’s called Moonlight of Higashiyama.

Kyo-Iro Inks

I like that the packaging of Kyo-Iro inks are so reminiscent of what makes Japanese aesthetics so pleasing. It’s minimalist, simple, elegant, and functional. I love the print on the box and the labels on the bottle. Each bottle holds 40ml of ink, and the opening is convenient to use, no matter what the pen size is.

Kyo-Iro Inks - Moonlight of Higashiyama

Moonlight of Higashiyama is an earthy brown color that leans more towards orange or terracotta. When wet, the yellow component of the ink is more obvious, but it gets a lot darker as it dries. The color reminds me of autumn leaves, or caramel. It’s warm and pleasant, and really gorgeous especially on cream-colored paper. I like that it has subtle shading that shows different hues from light terracotta orange to dark brown, the color of burnt brown sugar. It’s saturated enough for daily writing, it’s very comfortable to read. The flow of this ink is also quite good. It’s a touch above moderate flow, and my pen just glides on paper when using it. The drying time is relatively fast at about 15 seconds using a medium nib on Tomoe River paper. It’s not water resistant. So don’t leave your journal out in the rain ;-). Here are a few close ups of the writing sample.

Kyo-Iro Inks - Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

Overall, it’s an eye-catching color. I enjoy using it in journal entries. Kyo-Iro inks and I are off to a great start, it seems. 🙂

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Birmingham Inks – Andy Warhol – Pop Art Purple


Here’s another Birmingham ink that I tried this week. It’s called Andy Warhol (Pop Art Purple). I was expecting a bold, loud, violently violet color but it turned out to be quite a demure and dusky purple color.

Birmingham Inks - Andy Warhol - Pop Art Purple

At first it looks very similar to Diamine Bilberry when wet, but it gets darker as it dries. After it’s completely dry, it looks more like blue violet. It’s very subdued and nicely saturated. While it’s not exactly a screaming purple ink, it’s something you can use for daily writing, without calling too much attention to it. I would put the flow at dry to moderate, depending on the nib you’re using. It dries up pretty fast, considering that I used a stub nib for this writing sample (obviously, I need to clean my other pens soon, haha). It’s not waterproof but does leave a faint purple line behind. Overall, it does look a bit flat, but it’s something you can use for work or class notes if you want a purple ink that, at first glance, can pass as dark blue. Here are a few close ups of the writing sample.

Birmingham Inks - Andy Warhol - Pop Art Purple

Birmingham Inks - Andy Warhol - Pop Art Purple

Birmingham Inks - Andy Warhol - Pop Art Purple

Birmingham Inks - Andy Warhol - Pop Art Purple

Birmingham Inks - Andy Warhol - Pop Art Purple

Birmingham Inks - Andy Warhol - Pop Art Purple

Birmingham Inks are available at Everything Calligraphy.

Review: Birmingham Inks Smithfield St. Bridge – Truss Blue


Here’s another blue Birmingham Ink that I’ve been using for the past few days. It’s Smithfield St. Bridge (Truss Blue). This is another dark blue ink, which looks conservative and behaves pretty well.

Birmingham Inks - Smithfield St. Bridge - Truss Blue

It’s a bit dark when wet, reminds me of the color of Tsuki-yo, but it seems to get a bit lighter as it dries. I used a Waterman Gentleman with a fine nib for this writing sample. It’s a wet, European fine nib, though. I’m very much pleased that the ink flowed so well, even in a fine nib. The drying time is a little over 5 seconds, and the flow is moderate to wet. I like that it’s a very well-behaved ink, it doesn’t feather a lot and it doesn’t clog up even if I don’t use the pen for a few days. Even with a fine nib, I love that it still shows beautiful shading.

The color is dark blue, and it’s not a crazy blue with sheen or anything like that. It’s a straight up blue that’s nicely saturated and conservative-looking enough for you to use even at work. You probably can’t use sheen-y, shimmer-y inks for official documents, but this kind of blue can be a staple for everyday writing.

It’s not water-resistant, though it leaves behind a faint but noticeable purple line. Here are a few close ups of the writing sample:

Birmingham Inks - Smithfield St. Bridge - Truss Blue

Birmingham Inks - Smithfield St. Bridge - Truss Blue

Birmingham Inks - Smithfield St. Bridge - Truss Blue

Birmingham Inks - Smithfield St. Bridge - Truss Blue

Birmingham Inks - Smithfield St. Bridge - Truss Blue

Birmingham Inks - Smithfield St. Bridge - Truss Blue

Birmingham Inks - Smithfield St. Bridge - Truss Blue

Birmingham inks are available at Everything Calligraphy.

Review: Birmingham Inks – Schenley Park – Thicket Green


Here’s the second Birmingham Ink that I tried so far. It’s called Schenley Park (Thicket Green). It’s a nice, dark green ink that looks a lot like the color of pine trees, or evergreen. It’s a very organic-looking color.

Birmingham Inks - Schenley Park - Thicket Green

As far as performance goes, I would put the flow at almost a moderately medium flow. It is a tad dryer than what I would like, though it behaves pretty well, and I’ve been using this ink for over a week. It dries pretty quick at a little over 10 seconds, with a medium nib. It’s not very water resistant, though it does leave behind some traces of dark green ink. The color reminds me of Pilot Iroshizuku Shin Ryoku, without the reddish sheen. It’s sufficiently saturated, making it easy to read and (for green ink lovers like me) a nice ink to use for everyday writing. It’s beautiful, though not quite what you’d call an adventurous color. The shading is quite pronounced too. Here are a few close ups of the writing sample.

Birmingham Inks - Schenley Park - Thicket Green

Birmingham Inks - Schenley Park - Thicket Green

Birmingham Inks - Schenley Park - Thicket Green

Birmingham Inks - Schenley Park - Thicket Green

Birmingham Inks - Schenley Park - Thicket Green

Birmingham inks are available at Everything Calligraphy.

Review: Robert Oster Bondi Blue


My fascination for blue ink is pretty new. I have to say that nobody’s more surprised than I am to see how much this color grew on me. I prefer darker blues, though. Not anything that leans towards baby blue. I was a bit hesitant at first to try this ink color, but using it in my Franklin Christoph Model 02 (a wet medium) really changed my mind.

Robert Oster Bondi Blue

This is such a vibrant blue. I immediately Googled images of Australia’s famed Bondi Beach and yeah, the likeness of the color of this ink to the color of the water on a bright day is striking. It’s beautiful! It’s also great ink to use with wet nibs because these nibs will show off the complexity of the color. There’s a noticeable red sheen on it, and the shading is a dark blue with a tinge of red. In broader strokes, it looks like a red halo. Much like the shoreline where the waters of Bondi Beach touches the sand. It’s not as pronounced as crazy-sheeny ink like Emerald of Chivor, but it’s there. I heard that Fire and Ice has more pronounced red sheen, this one is quite subtle but lovely. It’s something you can use for daily writing, really easy on the eyes.

Like other Robert Oster inks that I tried, it’s pretty well-behaved. I really enjoy that about this brand of ink. The drying time is not too long (just an average of 10-15 seconds), the flow is great, it’s not prone to drying out or causing hard starts. They’re not water proof or water resistant, though. I really wish Robert Oster Signature Inks will come out with a waterproof line of inks in the future. So far, all the inks I tried have been wonderful. Here are a few close ups of the writing samples:

Robert Oster Bondi Blue

Robert Oster Bondi Blue

Robert Oster Bondi Blue

Robert Oster Bondi Blue

Robert Oster Bondi Blue

Robert Oster Bondi Blue

If you’re in the Philippines, the exclusive distributor of Robert Oster Signature inks is Everything Calligraphy.

Review: Pilot Iroshizuku Shimbashi Iro


Pilot Iroshizuku Limited Edition Itoya Inks

Here’s the third of the Tokyo Limited Edition inks by Pilot Iroshizuku which I got from Everything Calligraphy. It’s a very mellow kind of baby blue color. It looks like it’s best used with medium nibs or wet writers. The color is very light.

Pilot Iroshizuku Shimbashi Iro

It would also probably be very nice to use for calligraphy nibs.

Pilot Iroshizuku Shimbashi Iro

I’m not sure it would be very suitable for official writing (like signatures and other work documents). I see it more as an ink color for creative applications.

Pilot Iroshizuku Shimbashi Iro

It’s saturated enough to make it a readable ink, but I must admit I prefer darker blues. It flows great, though. It’s a wet-flowing ink that dries moderately fast (15-20 seconds, depending on nib and paper). It also has expressive shading. If you like light blue inks, this one is a great option. It’s not waterproof, but it also doesn’t completely wash off. Here are a few close ups of the writing sample:

Pilot Iroshizuku Shimbashi Iro

Pilot Iroshizuku Shimbashi Iro

Pilot Iroshizuku Shimbashi Iro

Pilot Iroshizuku Shimbashi Iro

Pilot Iroshizuku Shimbashi Iro

Pilot Iroshizuku Shimbashi Iro

Pilot Iroshizuku Shimbashi Iro

These limited edition Iroshizuku inks are available at Everything Calligraphy.

Ink Review: Pilot Iroshizuku Fukugawa Nezu


Pilot Iroshizuku Limited Edition Itoya Inks

Here is another one of this year’s limited edition inks from Pilot Iroshizuku. It’s called Fukugawa-Nezu. It’s a grey ink that’s quite cool to the eyes but still saturated enough so that it’s easy to read. I think it’s a pretty shade of grey, and reminds me of the color of a koala bear’s fur.

Pilot Iroshizuku Fukugawa-Nezu

Pardon the wobbly drawing. I iz tired, gaaah.

Anyhoo, I like that this ink is almost silver in color. The only grey ink I have in my collection is Stormy Grey. I’m not much of a grey ink user so I never thought of adding more to it. This seems a bit lighter in color than Stormy Grey’s base color. It has some shading, though not very expressive. There’s  also no noticeable sheen.

This ink flows pretty well, but it dries fast too (around 10 seconds with a cursive italic fine nib). What’s pretty remarkable is that it’s water resistant.

Pilot Iroshizuku Fukugawa-Nezu

Pilot Iroshizuku Fukugawa-Nezu

Coolness. The color would probably make it an interesting ink to use for pen and wash paintings (if you want your lines to be less obvious than black ink) or for pen and ink sketches.

Here are a few close ups of the writing sample.

Pilot Iroshizuku Fukugawa-Nezu

Pilot Iroshizuku Fukugawa-Nezu

Pilot Iroshizuku Fukugawa-Nezu

Pilot Iroshizuku Fukugawa-Nezu

Overall, I like it the ink because it’s readable but stands out as a grey ink, not just a washed out black ink. Also, it’s water resistant so I can really use it for drawings and watercolor paintings in my journal.

Iroshizuku Fukugawa Nezu and other limited edition inks are available at Everything Calligraphy.

Pen used: Franklin Christoph pocket 40, steel cursive italic (fine) nib
Paper: Tomoe River white

Review: Robert Oster Golden Antiqua


Wow. This is another interesting ink color in the lineup of Robert Oster Signature Inks. Golden Antiqua reminds me so much of Pilot Iroshizuku Ina Ho, except it’s more saturated (more brown than golden yellow) so it’s easier to read. It also reminds me of the color of wheat. It’s a color that reminds me of so many things in nature. Look at that gorgeous shading too. It’s a very eye-catching ink that makes you want to look closer. My first impression of it was now THIS is what golden brown should look like.

Robert Oster Golden Antiqua

Among the other Robert Oster Inks, this one is just a teeny-tiny bit dry compared to others. It doesn’t have problems with the flow, but it just feels a bit dryer by comparison to the other inks that I tried. I think it’s pretty impressive that these Robert Oster inks all have great flow, all are pretty well-behaved, and they all have really great, vibrant colors. This is a nice, golden brown ink that somehow seems almost like it’s gleaming, even if it has no shimmer. It has gradations of dark golden brown to light golden yellow, which makes for very expressive shading. It also has the slightest, nearly imperceptible silvery sheen if you use a wet nib on good paper It’s very suitable for regular writing, you don’t have to struggle to read it. It’s nicely saturated without losing its beautiful golden hues. Drying time is pretty short, like the other Robert Oster inks that I tried–a bit over 10 seconds even on a wet medium nib and Tomoe River paper. It’s also not water resistant. I wish Robert Oster will make waterproof inks in the future. I would be so down for that. Anyway, here are a few close ups of the writing sample: Robert Oster Golden Antiqua

Robert Oster Golden Antiqua

Robert Oster Golden Antiqua

Robert Oster Golden Antiqua

Robert Oster Golden Antiqua

Robert Oster Golden Antiqua

Robert Oster inks are exclusively distributed in the Philippines by Everything Calligraphy.

Review: Robert Oster Dark Chocolate


Robert Oster Dark Chocolate

Now that Fountain Pen Day is officially over (kudos to the staff of SM Aura and volunteers from Fountain Pen Network Philippines for such a wonderful event), I can resume my regular programming. ^_^ Here’s another interesting Robert Oster ink. This one is Dark Chocolate, and it’s such a rich, velvety ink. It’s a purplish brown color, which reminded me of Waterman Havana Brown.

So far, all the Robert Oster inks that I’ve tried are so nice to use in pens. They flow so well and have very vibrant colors. They’re all very interesting. This one is something you can probably use even for work documents, when black and blue inks become a tad boring. It’s nicely saturated and it has such nice shading. It’s not light brown at all, it’s a deep, dark brown. In finer nibs or dry writers, the purplish undertone becomes more apparent.

Like the other Robert Oster inks that I tried, this is so well-behaved. No feathering, it doesn’t feel overly wet. It dries up in about 10 seconds, which is relatively fast, even when used with a medium nib. It’s not waterproof or water resistant, though. Here are a few close up shots of the writing sample:

Robert Oster Dark Chocolate

Robert Oster Dark Chocolate

Robert Oster Dark Chocolate

Robert Oster Dark Chocolate

Robert Oster Dark Chocolate

The pen I used was a Kaweco Sport with a medium nib. The paper is white Tomoe River.

Overall, it’s a delightful ink. So far my experience with Robert Oster inks has been pretty awesome. Again, thanks to Everything Calligraphy (the local distributor of Robert Oster inks in the Philippines) for the samples.