Review: Robert Oster Eucalyptus Leaf


Robert Oster Eucalyptus Leaf

Today I’m reviewing Robert Oster Signature Inks Eucalyptus green. It’s a deep green color with a very subtle red undertone. If you’re a green ink lover, this ink is pretty easy to love. At first glance, it reminded me of one of my favorite green inks, De Atramentis Jane Austen, but a closer look shows some differences between the two:

Robert Oster Eucalyptus Leaf

The red undertone of Eucalyptus Leaf (bottom line) gives it a warmer tone. It has more shading, and the light green component of its shading looks beautifully translucent. Of course, shading will depend on the pen that you use as well as paper quality, YMMV.

Eucalyptus Leaf is a wet-flowing ink, and it takes around 20-25 seconds to dry (medium nib, Tomoe River paper). I like that it feels wet but doesn’t bleed and isn’t too wet that it doesn’t show off the shading. It’s just wet enough for the nib to feel like it’s gliding on paper. It stays vibrant even after it dries, which is something I love about Robert Oster inks. This green ink is nicely saturated and is suitable for everyday writing. It’s not water resistant, but if you use it for pen and wash drawings (like the weird-looking Master Oogwey in the writing sample sheet above), it spreads out nicely and shows the red components of the ink.

Here are a few close ups of the writing sample:

Robert Oster Eucalyptus Leaf

Robert Oster Eucalyptus Leaf

Robert Oster Eucalyptus Leaf

Robert Oster Eucalyptus Leaf

Robert Oster Eucalyptus Leaf

Robert Oster Signature Inks are exclusively distributed in the Philippines by Everything Calligraphy.

Review: Robert Oster River of Fire


Robert Oster River of Fire

Here’s another Robert Oster ink from a batch of samples sent by the nice people of Everything Calligraphy. It’s called River of Fire, and at first I was surprised because I was expecting something blue, then I realized that the name is “River”, not “Sea” or “Ocean”. It’s a deep, rich, forest green color, sometimes leaning towards blue green, and a nice red sheen. It’s quite an attractive color, especially in person. It reminded me of Sailor Tokiwa Matsu, except the base color is a bit lighter than Tokiwa’s which is sometimes hard to distinguish from black when used with wet nibs because of how dark a shade of green it is. This ink is highly saturated green, but it not too dark as to make it an ambiguous shade.

Robert Oster River of Fire

As is the case with many dark-colored inks, the shading is not too expressive, though there’s definitely some shading there. What’s more noticeable is the red sheen. It really gives the color a nice contrast. That dark but shimmery halo that makes the lines almost luminous under certain kinds of light.

I would put the flow of this ink at a hair over medium with a stub nib. I’m happy I decided to use a stub nib for this review because the personality of this ink really shone through with a wet, stubby writer. Like the other Robert Oster inks I tried, it has a very nice flow that is a touch over moderate without being watery. It dries to a darker shade that is still vibrant and really eye-catching, with the red halo becoming more pronounced. Under natural light, it makes the ink looks like its edges are on fire.

The ink isn’t water proof. It’s not very water-resistant as well, so people who like to do ink and wash artworks will certainly enjoy this aspect of the ink’s characteristics.

Here are a few close ups of the writing sample on Tomoe River paper:

Robert Oster River of Fire

Robert Oster River of Fire

Robert Oster River of Fire

Robert Oster River of Fire

Robert Oster River of Fire

Robert Oster River of Fire

Overall, I enjoyed trying this ink out! The flow is pleasantly wet, the hue is gorgeous, and the red sheen gives it that wonderful look on paper.

Robert Oster inks are exclusively distributed in the Philippines by Everything Calligraphy.

Kyo Iro and Kyo No Oto Roundup


Kyo Iro and Kyo No Oto Inks

The past few weeks, I’ve had the pleasure of trying out all the different colors of Kyo Iro and Kyo No Oto. It was really a lot of fun, and while I enjoyed trying all of them out, a few of them really stood out for me as my favorites.

Kyo Iro Soft Snow of Ohara

Kyo-Iro Inks - Soft Snow of Ohara

I really love this blue. I don’t think I have a similar shade of it in my ink collection. It’s a mellow kind of blue that has purple tones. It really pops out of the page for me, I love seeing an entire page written with this ink. Simply lovely.

Kyo Iro Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

This one’s really easy to like. It’s a beautiful shade of terracotta, and it stays so vibrant on the page. The shading is so expressive too.

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

No surprises here, I guess? It’s a light olive green ink that has beautiful shading. It flows a bit on the dry side, but works beautifully with the right pen.

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

I am quite surprised that I ended up liking this ink so much. I’m not big on yellow inks at all. In fact, I don’t think I have any yellow inks. This one’s a beautiful, earthy yellow though. You need to see this in person, on paper, to fully appreciate how beautiful it is.

Overall, both lines have really interesting colors. The collection is quite varied and the inks have their own personalities, so to speak. I had such a great time reviewing them, thanks to the wonderful people at Everything Calligraphy for the samples.

Ink Swabs Kyoto Inks

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Nurebairo


Kyo No Oto Nurebairo

The next ink I’m reviewing from the Kyo No Oto line of Kyoto Inks is Nurebairo. At first I was a little confused by it because I really thought it’s blue black. Under fluorescent light, it does look like a very dark blue. Under natural light, it’s clearly a black colored ink with blue undertones. The ink feels quite thick to me, so it flows a bit on the dry side. It also has some copper sheen, although the sheen seems equally distributed along the lines that I draw. Much like what happens when the ink doesn’t have expressive shading. For me, the effect is that the ink looks more glossy than sheeny on paper, much like how india ink would look like when dry. Here’s a short clip on the copper-colored sheen on Tomoe River paper. Keep in mind that the sheen of any ink can be seen if you use the right combination of ink, pen, and paper. More absorbent paper and dry-writing nibs most probably won’t show off the sheen-y properties of ink.

The ink dries relatively slow at 25 seconds or so. It’s also not water resistant. This is a nice, rich black if you want something that’s not watery-looking for your everyday writing. It doesn’t show off much shading, though the little shading it has shows a color of dark bluish grey. I know many people like myself who like black ink to be black like tar or jet black. This would be just the right legit black for your legit black ink needs. Here are a few closeups of the writing sample:

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Yamabukiiro


I’ve never been a big fan of yellow inks, and it wasn’t exactly love at first sight with this one, but it’s strange because the color kinda grew on me. I started using it to write dates, headers or section titles in my journal entries, and they pop right out the page. It’s a nice shade of yellow, very earthy. It brings to mind that point when leaves aren’t quite dead and dry yet, but the green has just drained out of them.

Kyo No Oto Yamabukiiro

It’s not too light that you can’t read it, but I would recommend that you use it with a wet nib. This page was written with a Pilot vanishing point that has a medium nib. I was intrigued about how it would look with a stub, so…

The ink has very expressive shading, and I like that the shading ranges from a golden brown, to yellow orange, to light yellow. Like the color of leaves as they dry. The ink might be too light if you’re using a fine nib, though. It’s best used with wider and wetter nibs so you can appreciate the complexity of the color. I’m surprised that I like this ink as much as I do, honestly.

I would put the flow at a moderate, depending on what pen you use with it. With my stub nib, it flowed a touch on the wet side. With my medium nib, it flowed moderate, a touch on the dry side. It dried at a little over 20 seconds on Tomoe River paper. It’s not water resistant, it washes away quite beautifully, actually. I think it’s a great ink for creative applications. Maybe not something you would use to sign your checks, but something to add a splash of color to your journals. Me likey.

Here are a few close up photos of the writing samples:

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo-Iro Cherry Blossoms of Keage


Kyo-Iro Cherry Blossoms of Keage

Gosh, look at that. That is a purrty shade of pink. Cherry blossoms come in a range of colors, from pure white with the faintest hint of pink to dark pink, yellow, purple, and even green. This color of Kyo-Iro ink reminds me of pink cherry blossoms because the shading is expressive and shows a range of pinks, like the blossoms. The ink is sufficiently saturated enough to make it easy to read, but I find the color so delicate and refined.

The flow is moderate; not too dry, not too wet. It’s well-behaved and pleasant to write with. It dries in about 15 seconds (using a European medium nib on Tomoe River paper), and it’s not water resistant. I like that the vibrancy of the ink doesn’t fade after several days. The color didn’t go flat or dull.

Pink ink lovers will definitely love this shade. Here are a few close-ups of my writing sample:

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Overall, you may not be able to use it for work or exams, or anything like that, but it’s a cute ink for journal-writing and other creative purposes.

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo-Iro Stone Road of Gion


Here’s another Kyoto Ink from the Kyo-Iro line. It’s called Stone Road of Gion. It’s a delicate shade of brown. It’s earthy and soft, almost a bit silvery, at least on tomoe river paper. It has this old-timey feel to it and it’s really gorgeous when used on ivory-colored paper.

Kyo-Iro Ink Stone Road of Gion

It reminds me of the color of Raw Umber, which is one of my favorite watercolor pigments. I guess because I see the color a lot in nature, I use it for woody parts of plants, mushrooms, soil, etc. Stone Road of Gion has a very organic look to it. I really like it a lot. In terms of performance, the ink flows very wet, but it doesn’t feather or bleed. If anything, it almost feels a bit watery.

The delicate color may strike some people as a bit translucent, but it’s very easy to read in person. Because the color is a bit light, I would suggest using it with a wet-writing nib. I used a Cross Century II with a custom medium cursive italic nib for this review. I like the gorgeous shading on the ink, I think it would make a nice addition to my brown ink collection.

It dries pretty fast, at around 15 seconds. It’s not water resistant, a few seconds of soaking with droplets of water almost completely erased the ink.

Overall, I think it’s a gorgeous shade, especially when used with a wet writing nib or nib sizes from medium upwards. Here are a few close ups of the writing sample:

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed: