Elias Pen and Ink Journal


Here is something pen and ink fans will find truly interesting and delightful. I used to keep a software database of pens, but I haven’t been very good with keeping it updated, until I eventually just forgot about it. Here’s a truly analog way to document an analog hobby.

Elias Pen and Ink Journal

Everything Calligraphy came up with its very own pen and ink journal! It’s soft-bound and uses their own 90GSM ivory colored paper that’s fountain pen, brush pen, and pointed pen friendly. Hardcore, man.

Elias Pen and Ink Journal

The theme of Noli Me Tangere and El Filibusterismo is the thread that runs through the different sections of the notebook, from cover to cover. When I first held the journal in my hand, it really felt like something that you can keep as a “pen memoir”, and I felt sorry I wasn’t able to document the old pens that I had already sold, or the inks that I already used up.

Elias Pen and Ink Journal

There is a simple Elias logo on the binding, and the spine feels nice and tight. It’s bound securely, though it’s not going to lay flat by itself. It’s not difficult to write in or leaf through, though. The journal is bound by plain white, textured card paper, and there’s a translucent, waxy paper that wraps around it. I really like the illustration used in that decorative wrap. It’s printed neatly and is really like a slice of a story.

Elias Pen and Ink Journal

It also smells good. Mmmmm. Yum. The journal has several sections. I’ll show each section in this review.

Elias Pen and Ink Journal

The first section is the Pen Journal section. It has space for every kind of information useful in a pen. Like brand, model, nib size, rating systems, etc. The opposite page is dedicated entirely to writing samples, or (like what I did) a review of the pen. You can put anything! How you got the pen, its little back story, anything that helps you either catalog the pen’s specifications or document its history. You can even stick a printed photo of the pen, if you like. You can get as creative as you want, there’s space for it!

Elias Pen and Ink Journal

The next section is the Ink Journal. It has all the pertinent information you need to catalog your ink. From the cost, to the properties (shading, sheen drying time, flow), a portion for swabs and water resistance tests, and your comments. Here’s a photo of my first ink journal page, documenting one of my new favorite inks, Kyo Iro Moonlight of Higashiyama. It’s a straightforward way to catalog your ink collection. The paper being Elias paper, it shows off any shading and sheen so well. The paper also holds up very well to my water resistance test.

Elias Pen and Ink Journal

I had to chuckle a little at the next section, the Future Pen and Inks. It’s like a wishlist. You can note down pens and inks that caught your attention and would like to purchase in the future. This is a list you can really have fun ticking items off of.

Elias Pen and Ink Journal

Elias Pen and Ink Journal

The next section contains coloring sheets. Line drawings of scenes and excerpts from Noli and El Fili. It adds a really Pinoy flair to the entire thing. I like how the line drawings are made. They have a folk-artsy feel to them. The pages remind me of these traditional Japanese line drawings before anime became popular. There’s a story going on in each drawing and it really captured that overall theme of the journal. The person who drew them is Julz Riddle (a Filipino teacher and artist). Her Instagram account is @hulyariddle. Here are a couple of samples from the journal.

Elias Pen and Ink Journal

Elias Pen and Ink Journal

Those who are into practicing calligraphy will love the next section.

Elias Pen and Ink Journal

Elias Pen and Ink Journal

These pages with guide lines can help you achieve consistent strokes. Even if you only want to improve your handwriting by practicing writing in script, this can be really helpful.

The remaining pages are blank sheets, doodle pages. If you look at the back of every single journal I have, the last pages are basically doodle pages. Figure eights, “the quick brown fox jumps over the lazy dog”, baybayin scribbles, anything! A blank space to doodle and free the mind. How wonderful that there’s a space in this journal for doodling.

Overall, I don’t think I’ve come across a journal that’s exactly like this, and with a very Filipino flair. It’s really a great way to celebrate your fascination with pens and inks (and doodling!). I’m glad that Everything Calligraphy came up with something so special for pen fans like us, and I’m planning to fill up my journal soon. It would be a great way to keep record of each pen and ink color that I have. Maybe someday when it’s time to pass on my pens to my nephews and nieces, they can have this journal as a companion of sorts, to help them appreciate the pens not just as writing instruments but as little things that brought me joy at some point in my life.

The Elias Pen and Ink Journal is available at Everything Calligraphy.

Kyo Iro and Kyo No Oto Roundup


Kyo Iro and Kyo No Oto Inks

The past few weeks, I’ve had the pleasure of trying out all the different colors of Kyo Iro and Kyo No Oto. It was really a lot of fun, and while I enjoyed trying all of them out, a few of them really stood out for me as my favorites.

Kyo Iro Soft Snow of Ohara

Kyo-Iro Inks - Soft Snow of Ohara

I really love this blue. I don’t think I have a similar shade of it in my ink collection. It’s a mellow kind of blue that has purple tones. It really pops out of the page for me, I love seeing an entire page written with this ink. Simply lovely.

Kyo Iro Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

This one’s really easy to like. It’s a beautiful shade of terracotta, and it stays so vibrant on the page. The shading is so expressive too.

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

No surprises here, I guess? It’s a light olive green ink that has beautiful shading. It flows a bit on the dry side, but works beautifully with the right pen.

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

I am quite surprised that I ended up liking this ink so much. I’m not big on yellow inks at all. In fact, I don’t think I have any yellow inks. This one’s a beautiful, earthy yellow though. You need to see this in person, on paper, to fully appreciate how beautiful it is.

Overall, both lines have really interesting colors. The collection is quite varied and the inks have their own personalities, so to speak. I had such a great time reviewing them, thanks to the wonderful people at Everything Calligraphy for the samples.

Ink Swabs Kyoto Inks

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Kyo No Oto Imayouiro


Kyo No Oto Imayouiro

The last Kyo No Oto ink that I will review is this cute pink ink called Imayouiro. It’s an intense pink when wet but it dries to a more mellow, suitably saturated pink. Dark enough to be easily readable, but also light enough to look a bit delicate on paper. It’s not a screaming neon pink color, but something that would look nice with calligraphy or in combination with other darker inks on a page.

The flow is pretty wet on a medium nib. It’s also quite well-behaved. It’s not all over the place, doesn’t feather or bleed through. It dries relatively fast at 15 seconds or so. It’s not water resistant. It’s got beautiful shading, though not really what I would call expressive or with a complex range of colors. It’s a pretty standard, nice-flowing, saturated pink ink. Here are a few close ups of the writing sample.

Kyo No Oto Imayouiro

Kyo No Oto Imayouiro

Kyo No Oto Imayouiro

Kyo No Oto Imayouiro

Kyo No Oto Imayouiro

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Nurebairo


Kyo No Oto Nurebairo

The next ink I’m reviewing from the Kyo No Oto line of Kyoto Inks is Nurebairo. At first I was a little confused by it because I really thought it’s blue black. Under fluorescent light, it does look like a very dark blue. Under natural light, it’s clearly a black colored ink with blue undertones. The ink feels quite thick to me, so it flows a bit on the dry side. It also has some copper sheen, although the sheen seems equally distributed along the lines that I draw. Much like what happens when the ink doesn’t have expressive shading. For me, the effect is that the ink looks more glossy than sheeny on paper, much like how india ink would look like when dry. Here’s a short clip on the copper-colored sheen on Tomoe River paper. Keep in mind that the sheen of any ink can be seen if you use the right combination of ink, pen, and paper. More absorbent paper and dry-writing nibs most probably won’t show off the sheen-y properties of ink.

The ink dries relatively slow at 25 seconds or so. It’s also not water resistant. This is a nice, rich black if you want something that’s not watery-looking for your everyday writing. It doesn’t show off much shading, though the little shading it has shows a color of dark bluish grey. I know many people like myself who like black ink to be black like tar or jet black. This would be just the right legit black for your legit black ink needs. Here are a few closeups of the writing sample:

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo-Iro Flaming Red of Fushimi


Kyo-Iro Flaming Red of Fushimi

Here’s the last of the Kyo-Iro line of Kyoto Inks that I’ve tried. The next inks linked up for review are all Kyo No Oto inks. This one’s called Flaming Red of Fushimi. At first I was surprised because it was neither flaming nor red when wet. The ink’s color got darker as it dried, and under natural light, the red component is much more obvious. It does start out as a cross between pink and peach, like the color of pink guava flesh or four seasons juice. Pink that leans more on the red side. When in a low-light surrounding, the ink looks less-saturated and more pink, but in natural light, it does become a more pronounced shade of red. The color is pretty interesting in both cases. I don’t think I have tried an ink that is similar in hue. It’s eye-catching, to say the least. It’s a moderately saturated ink, so I would recommend that you use it with a medium nib at least, or something that writes wet, so that you can appreciate the character of the ink. The shading is expressive and gorgeous, with shades of peach and dark pink. It flows a bit drier than moderate, though not unpleasantly so. I just feel it’s not as wet as the other Kyo-Iro inks I tried. The drying time is more or less the same, about 15 seconds. It’s not water resistant. Here are a few close up shots of the writing sample.

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo-Iro Cherry Blossoms of Keage


Kyo-Iro Cherry Blossoms of Keage

Gosh, look at that. That is a purrty shade of pink. Cherry blossoms come in a range of colors, from pure white with the faintest hint of pink to dark pink, yellow, purple, and even green. This color of Kyo-Iro ink reminds me of pink cherry blossoms because the shading is expressive and shows a range of pinks, like the blossoms. The ink is sufficiently saturated enough to make it easy to read, but I find the color so delicate and refined.

The flow is moderate; not too dry, not too wet. It’s well-behaved and pleasant to write with. It dries in about 15 seconds (using a European medium nib on Tomoe River paper), and it’s not water resistant. I like that the vibrancy of the ink doesn’t fade after several days. The color didn’t go flat or dull.

Pink ink lovers will definitely love this shade. Here are a few close-ups of my writing sample:

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Kyo-Iro Cherry Blossoms of Keage

Overall, you may not be able to use it for work or exams, or anything like that, but it’s a cute ink for journal-writing and other creative purposes.

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo-Iro Stone Road of Gion


Here’s another Kyoto Ink from the Kyo-Iro line. It’s called Stone Road of Gion. It’s a delicate shade of brown. It’s earthy and soft, almost a bit silvery, at least on tomoe river paper. It has this old-timey feel to it and it’s really gorgeous when used on ivory-colored paper.

Kyo-Iro Ink Stone Road of Gion

It reminds me of the color of Raw Umber, which is one of my favorite watercolor pigments. I guess because I see the color a lot in nature, I use it for woody parts of plants, mushrooms, soil, etc. Stone Road of Gion has a very organic look to it. I really like it a lot. In terms of performance, the ink flows very wet, but it doesn’t feather or bleed. If anything, it almost feels a bit watery.

The delicate color may strike some people as a bit translucent, but it’s very easy to read in person. Because the color is a bit light, I would suggest using it with a wet-writing nib. I used a Cross Century II with a custom medium cursive italic nib for this review. I like the gorgeous shading on the ink, I think it would make a nice addition to my brown ink collection.

It dries pretty fast, at around 15 seconds. It’s not water resistant, a few seconds of soaking with droplets of water almost completely erased the ink.

Overall, I think it’s a gorgeous shade, especially when used with a wet writing nib or nib sizes from medium upwards. Here are a few close ups of the writing sample:

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyo-Iro Ink Stone Road of Gion

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed: