I made this little painting a few weeks ago. I’ve made other dream catchers before but this is the first I’m actually happy with, despite the simplicity of the design of the strings. It’s kinda hard to make them all line up exactly as they should. It’s a slow month for watercolors, considering it’s World Watercolor Month. I wish I had more time to play, but I guess we just squeeze in as much fun as we can manage. ^_^
I managed to squeeze in a bit of practice today, and somehow I ended up making a painting of a coffee plant. It’s probably because I’ve been reading Coffeehouse Mysteries non-stop these past few days, haha. It’s a cozy mystery series that’s very easy to read and has decent plots. I think the first book was published back in 2002, and you can really see how things change through the years. Palm pilots were all the rage during the publication of the first book. Social media wasn’t what it is now. The treatment of female characters have also changed a lot from book 1 to book 11.
What I love most about the book series, though, is all the information about coffee and the food that goes well with or are cooked with it. It’s a nice read, especially if you’re a coffee lover. I just started book 11 today (A Brew to a Kill), and it’s interesting that there are elements of Filipino culture inserted in the story.
I took a short break from my Coffeehouse Mystery binge yesterday to practice a bit of watercolor. I realize I haven’t really sat down to paint for several weeks already, things have been quite busy. I’ve always found the color of autumn to be quite beautiful, so I made autumn leaves.
This uses Sennelier 300gsm, 100% cotton watercolor block. I really love this paper. It has a way of making the color pop, the paint remains brilliant and vivid on it after it dries. I also love the texture of the paper, it makes creating textured paintings a lot easier. My watercolor block’s a bit small, though. After finishing this, I wanted to practice more kinds of leaves, so I opted for a slightly bigger watercolor block, my Hahnemühle 200gsm rough paper.
I do like the texture too, although it looks more like lines of little squares. Sennelier’s texture feels more organic, somehow. It takes a bit more work to make the color pop. After the watercolor dried on it, the colors looked dull so I had to apply more layers to brighten it up. It was pretty difficult to achieve a result close to what I got with the Sennelier WC Block.
I still had fun with it, though, and I learned a lot in the process. Mostly about being patient and working on values.
Colors used for these paintings are all by Sennelier:
- Indian Yellow
- Venetian Red
- Raw Umber
- Warm Sepia
- Yellow Ochre
- Payne’s Grey
- Ivory Black
- Pthalo Green Light
Last Saturday, my husband and I ventured out of the South to brave the (infamous) EDSA traffic and attend a Calligraphy Spot meet. I’ve been an admin for this wonderful FB group for a while, but I have not been able to attend any of the meets until last Saturday. We made quite a happy mess at La Creperie Shangri La, spreading out our papers, writing implements, watercolors, and other fun art stuff over their tables, in between delicious bites of crepes, salads, and pasta.
It was a wonderful experience, hanging out with people who so obviously have fallen in love with the written word and all the different kinds of art forms that celebrate it. I conducted an informal sit-down class about Baybayin (oftentimes incorrectly referred to as Alibata), a pre-colonial way of writing from the Philippines. It was an interesting experience, teaching the basic principles, but the group was eager to learn, and so they were Baybayin-literate by the end of it. The basic principle is quite easy to learn. Recognizing the characters will come with time and practice.
What’s more interesting for me was how each person’s creativity shone through in any kind of calligraphy they do. After teaching them how to read and write in Baybayin, we each applied it through writing using our own styles and preferred tools. We used brush pens, quills, parallel pens, automatic pens, brush pens, watercolor brushes, and more.
After the class, we puttered around and talked about art. Some were doing watercolor paintings, sharing artworks to take home afterwards. I enjoyed looked at other people’s output. I especially enjoyed looking through one of the members’ visual journals. It’s an A6-sized Hobonichi that contains little drawings and paintings and small notes of what went on each day, including what meals he ate. It was so cute, and each page seems so alive and vibrant.
I’m usually quite shy in social situations, but in any meet that involves a common love for art and art tools (such as calligraphy meets, pen meets, artambays), I feel quite at home. You’re not pressured to be anybody you’re not. You can be as socially awkward as you are, nobody minds. The common love for artistic expression is like a supersized welcome mat that invites you in and makes you want to stay.
I’m hoping to join the next Calligraphy Spot meet, and I’m especially looking forward to a meet in the South area soon. 🙂
I’ve always been curious about Kindle, Kobo, and other e-readers, though not enough to actually try any of them. I figured that I could read ebooks anyway on my tablet if I wanted to, and I didn’t really like ebooks that much. I liked the feel of real books, the smell of real paper. I loved making notes on borders and highlighting with different colored inks. It’s a bit difficult to lug my books around, though. So for the first time in years, I actually seriously considered getting an eReader. My husband bought me one as an early anniversary gift a couple of weeks ago, and I must say, I am enjoying it a lot. Nobody’s more surprised than I am. I opted for a Kobo Glo HD rather than a Kindle as I was originally planning.
As a super-duper late adopter, I’m surprised at how different the reading experience is on an eBook reader compared with my tablet. I can read for hours without suffering from a headache after because of the screen’s glare. It’s still no substitute for paper, of course, but it’s the closest approximation to an actual page that I have ever seen. I was like a kid, delighted that when the sales lady showed me the unit, I thought the Welcome screen she was showing me was printed on paper. Ooooh, so this is what e-ink looks like.
There’s not much option for sharing on social media, but I guess that’s part of the charm. It’s an electronic device that’s designed to mimic the analog experience as much as possible. Sure you can import ebooks, make annotations, review your annotations, make dog-ears (bookmarks) on pages, sort your books by collection, but it has limited sharing capabilities, only linking to Facebook. You can’t copy texts either, just like you can’t hold down and press “copy” on a page in an actual book. So it does connect to the internet, but it also doesn’t distract you with too much “connectedness”.
I love that it has Pocket integration. I can save articles in Pocket (which is something I already use via Chrome plugin and on my mobile phone) then manually sync my Kobo or schedule a sync at a certain time of the day so I can read the articles later. It’s quite fun. I’m re-reading some of my favorite books lately, and discovering new ones too. I haven’t been able to figure out how to convert the books I bought from Google Play Store through Caliber, but I’ll look into it soon. So fun. Much wow. ^_^
I knew I wanted one the moment I heard that Traveler’s Company is coming out with an olive green TN. I got this from Everything Calligraphy last month, and decided that I would use it as my calligraphy and watercolor journal.
The color is a little hard to photograph. It always comes across darker than it actually is in person. The color is a dusky green, more like the camo green in my opinion, rather than olive green. It’s a deep color that I think will become more interesting as it ages. In photographs, it looks more like black than green. In person, the color is a bit ambiguous, depending on the light. I’ll post more photos of it in the future as it develops a patina. I’m curious how the texture and color will change once I start applying leather balm on it (maybe next month). My brown TN became shinier and the brown color became deeper and richer.
I decided to keep it thin with only two inserts so that it won’t be so heavy. I use my brown TN as my primary journal anyway. I made those monkey fist charms and bookmarks with the elastic bands from an old TN repair kit that I haven’t used yet because I only used the dark-colored bands. I thought the bright colors popped pretty nicely against the color of the leather. If you want to know how to make your own monkey fist knots, this is the tutorial I used.
I made my own watercolor insert from 200gsm Canson paper. Here’s the cover I DIY’ed for my first insert.
I didn’t realize that it had a rough side and a smooth side, so some pages have the textured side on the left, some on the right. It’s alright, though, it can handle light washes on both sides, albeit with a lot of warping.
I enjoy bringing it around with me. It’s comfortable to hold and gosh, it’s so pretty in person. Next time I’ll try and find watercolor paper that’s textured on both sides, though. Overall, I’m pretty much in love with this TN. It’s a great addition to my EDC.
I made these coloring pages for my friend’s daughter who celebrated her 5th birthday this week. This little girl already shows an interest for art, and she has recently discovered the joy of watercolors. So I made these line drawings on watercolor paper for her to use. I think it’s a great way to encourage children to paint and get comfortable with the medium. It’s also a great way to spend time enjoying art with kids. I should make some for my nephews and nieces too.
Look at that little fishy. Isn’t that cute? ^_^